Winterreise is a portrait in landscape, writes Lindy Hume, who directs A Winter's Journey. In this version, the luminous and familiar Australian landscapes of Fred Williams offer the wanderer no more comfort than the snowy European panoramas evoked by Schubert and Müller. By surrounding this Romantic-era winter journey with Williams’ 20th-century images, we make no attempt to transplant the action from northern to southern hemisphere; rather, we aim to celebrate the timelessness and universality of Schubert’s great work.
The description ’song cycle’ suits Schubert’s Winterreise. The wanderer’s obsessive journeying through these 24 songs leads him not to an end but rather an inescapable return to the beginning. In the final, exhausted stanza he invites the shabby organ-grinder – perhaps his alter-ego? – to wander alongside, accompanying his song. This sense of an unending journey underpins the monodrama, offering a portal to its staged performance and an insight into the wanderer’s relationship with the audience.